Monday 4 September 2023

2023 - RESOLVED ARTWORK - END OF YEAR 11 COURSE

UNIT 2 - RESOLVED ARTWORK

After exploring in Semester One - Art as lens through a series of quick visual tasks with research and expanding this into Semester Two with Art as Code and more quick experiments through research the course concludes with an extended resolved artwork.


TASK

Responding

- students review all experimental work from the  teacher-directed focus areas and select one area for extension to create a resolved artwork

• Cultural signals — formal, cultural and or personal context

• Gender-specific — formal, cultural and or personal context

• Repetition — formal context

• Changing — formal, cultural and or personal context

• Abstracted land — cultural, personal and formal context


PROCESS

- students establish an inquiry question relating to the chosen focus that identifies an individual interest and can deepen the scope of the inquiry


- students research new ideas and identify and test alternate solutions inspired by research to extend the knowledge of the chosen focus through formal and cultural contexts.


The images are below the artist statements 


Callum O'Connor
Venice
Watercolour on 300gsm paper 

In my watercolor depiction of Venice, I employ radiant oranges and yellows, not just as colors but as emotions, capturing the city's soul and human warmth. These hues delve into the intricate dance between human experience and nature. Venice, a mosaic of canals and architecture, illustrates how humans have shaped, yet remain embraced by, nature. The vivid palette highlights this balance, reflecting the dynamic between creation and decay, endurance and change. Beyond a mere landscape, this painting embodies the harmony of human spirit with the natural world. Each stroke and hue speaks to our shared history within our timeless environment.






Lucas Yang
Harmonic Disruption
Digital image 

"Harmonic Disruption" is an abstract artwork that delves into the contrasting perspective of human intervention on natural landscapes, specifically inspired by the release of Fukushima's nuclear wastewater. Influenced by the renowned artist James Jean, this piece combines creativity, intelligence, and a friendly approach to convey its message.
Using abstract shapes and forms, the artwork visually explores the profound impact of human interference on the environment. Similar to James Jean's work, it employs a juxtaposition of jagged shapes symbolizing intrusive human elements against softer, organic forms representing the resilience of nature. This contrast prompts viewers to question their understanding of the delicate balance between humanity and the natural world.
By investigating the inquiry question, I engage viewers in a dialogue about our role in preserving or destroying nature. Inspired by James Jean's ability to evoke emotions through his art, "Harmonic Disruption" challenges perceptions and invites contemplation on harmonizing our existence with the environment.






Lachlan Roche
Earth of Elements
Digital Print

In the artwork Earth of Elements, Digital Media was used to express the idea of the 4 elements by showing how each can impact and cause damage to the world. As another meaning to the artwork, the artwork was made into the shape of a clover to show the symbol of luck, which expresses that we are extremely lucky to be alive and to be a part of this world, yet people do things to damage and destroy it and that people have to endure disasters that come with it. To mix both of these ideas together two of the elements represent natural things and 2 elements represent human damage to the world.








Cassidy Foote 
Scenic emotions
Digital print (x3)

Through my abstract natural landscape artwork of North Stradbroke, I aim to showcase the diverse ways in which landscapes can be portrayed through abstraction. My intention is to create a visual representation that flows seamlessly with the sky, sea, beach, and mountain, mirroring the intricate connection and bond present within the natural world.

To achieve this, I meticulously captured these elements at various times of the day, using an array of tools such as saturation, color, hue, and brightness adjustments. This allowed me to craft distinct environments – one for daylight, another for sunset, and yet another for twilight. By manipulating the interplay of color and light, I sought to highlight how these factors can dramatically alter the emotional impact of a natural landscape.

Ultimately, my goal is to provide viewers with a deeper understanding and appreciation of the essence and beauty of the environment. By showcasing the transformative power of color and light, I invite audiences to perceive the natural world in a new light and engage with its inherent emotional resonance.









Alex Dao
How far can I go
Mixed media sculptural form 

“How far can I go” underline the rules that covered uniforms at religious schools. In Catholic Schools, students, who are female, are covered from the shoulder down and from the knee up, giving them restrictions on altering the uniform itself. In this artwork, the uniform is altered to fit into the mainstream fashion of the 21st century. This highlights how far can one push the uniform until it cannot be called one. It challenges the fine line that is between uniform and high fashion. 
The material consists of a St. Hilda uniform - the uniform is deconstructed into two pieces, the bottom piece which consist of a mini skirt and a sleeveless top that complement the bottom piece. The long sleeve jumper is represented as a school jersey, which is indicated with a name on the back. 









Jackson Amos
Interwoven Deception
Digital images (x3)

In my composite artwork, "Interwoven Deception," I explore the multifaceted landscape of cyber security threats, revealing the intricate web of deception that spans the digital world. Comprising three distinct pieces, each with its unique narrative, this artwork underscores the gravity of online scams and the global scale of this issue.

"Heartstrings Deconstructed," delves into the realm of romance scams, where victims are emotionally and financially manipulated. Its heart symbolizes the emotional toll inflicted by these scams, while the binary code in the foreground exposes the repetitive lines scammers use to lure victims. Notably, the sum of all '1's in the binary code totals 4,400, poignantly representing the average financial loss. "Deceptive Connections," focuses on call centre scams, highlighting India's role as a hotspot for these fraudulent activities. Its colour scheme, inspired by the Indian flag, serves as a stark reminder of the scale of these operations. The binary code in the foreground carries the scammer's script, and the sum of its '1's equals 19,654, signifying the average financial loss incurred by victims. The small piece, "Hidden Messages," zooms in on smaller yet persistent online scams, often overlooked but collectively amassing substantial losses. Its binary code message encapsulates the deceptive tactics used by scammers, with the sum of its '1's totalling 349—the average amount lost by victims to these recurring payment scams.

Connecting these pieces is a vivid red ribbon that drapes over them, symbolizing the involvement of Russia and China in online scams. Both nations bear red in their flags, and this ribbon serves as a thread linking the global nature of cyber threats. It signifies how these scams transcend borders, often orchestrated by entities operating from various corners of the world.

"Interwoven Deception" seeks to emphasize the urgency of cyber security awareness and the need for global cooperation to combat these threats effectively. Through art, we unravel the complexities of online scams, fostering a collective commitment to vigilance and resilience in the digital age.









Jonathan Paterson
Design your own outfit
Digital images reworked as an interactive flipbook


My artwork is an interactive flipbook that delves into the nuanced realms of gender roles and their modern societal implications. Through my flipbook, I explore the concept of masculinity by allowing viewers to navigate and experiment with clothing and makeup choices, blurring the lines of traditional gender norms. This creation serves as a tangible representation of my inquiry question: "How has an ambiguity of gender roles impacted modern day society?" Making an artwork interactive intrigues more people and can show people the malleability of gender identities and the power of individual interpretation. As viewers engage in the act of flipping pages to curate their desired combination of attire and makeup, they actively partake in the ongoing discourse on gender fluidity and its effects on our culture. The project was developed through extensive research, contemplating historical contexts, psychological implications, and contemporary viewpoints. By providing a hands-on experience, I invite participants to consider the profound influence of societal constructs, fostering a deeper understanding of the intricate relationship between gender roles and our ever-evolving world.



















 


Wednesday 16 October 2019

2022 - SEMESTER 2 - RESOLVED ARTWORK

UNIT 2 - RESOLVED ARTWORK
After exploring in Semester One - Art as lens through a series of quick visual tasks with research and expanding this into Semester Two with Art as Code and more quick experiements through research the course concludes with an extended resolved artwork.


TASK

· Responding:
- students review all experimental work from the  teacher-directed focus areas and select one area for extension to create a resolved artwork
Cultural signals — cultural and formal context ( personal ) 
Gender-specific — cultural context ( personal ) 
Repetition — formal context
Changing — formal context
Abstracted land — cultural and formal context ( personal ) 

- students establish an inquiry question relating to the chosen focus that identifies an individual interest and can deepen the scope of the inquiry

- students research new ideas and identify and test alternate solutions inspired by research to extend the knowledge of the chosen focus through formal and cultural contexts.



DANIEL STATHAM
ćşşć°´ #1 – Surf rescue
Photograph – gloss A3 paper digital print – digital media  
29.7cm x 42cm 
2022


DANIEL STATHAM
ćşşć°´ #2 – open your eyes
Photograph – gloss A3 paper digital print – digital media  
29.7cm x 42cm 
2022

Racial profiling and stereotypes are things that surround our Australian society every day. In my artwork a person of Asiatic descent has been placed as the central subject to signify an Asian stereotype within Australian society. Through the manipulation of the elements and principles of design including value, contrast, and colour (lack of), the artworks can create and establish meaning. The work “Surf Rescue” and “Open Your Eyes” can be interpreted and viewed through a wide variety of simple symbolism and cultural/formal context to depict a much more complex message. The titles are both stereotypical, and racist perceptions or comments made by a predominently caucasian society every day whilst also displaying a clear message that this racial stereotyping is a problem. The subject, being submerged in water (or about to be), wearing lifeguard clothing, challenges the stereotypical notion that the majority of Asian people cannot swim. 
However, a second interpretation could be that the subject is drowning in these stereotypes and racial profiling. 








JACK RAFF 
Change – ”Power now Days” - Series
Photoshop
2022

My work shows how change by recontextualising previous artworks with a contemporary emphasis. Change is happening all the time; from the leaders in the world who have the power or show their power to try and change the world. In this task I have used old well known artworks and altered the faces of the people on them to incorporate contemporary power people.
”Power now Days” has many layers of meaning .







JAY CAMPBELL
Collage #1 – Today 
Photoshop – ripped photographs and magazines 
52 x 38 cm
2022



JAY CAMPBELL 
Collage #2 – Yesterday
Photoshop – ripped photographs and magazines
50 x 40 cm
2022

Collage is a way of manipulating a thousand images in your head and vomiting them out onto a canvas. Through the techniques of ripping and sticking I wanted myself to be the subject of change and be influenced by the skate culture through fashion. With myself, being the main subject, it is important to look at the story behind to find the meaning of the art.  






VINCENT WILKIE
Gender comparison 
Those from the present 
Photoshop 
297 x 420 mm 
2022

The past and present are both things that it is impossible to escape. With history repeating itself it is inevitable that things like fashion, art, and culture of the past  slowly manage to find a way into present life; challenging the separation between the past and present to almost nothing. ”Those From the Present" is a piece of retro poster artwork that explores the ability for people with a present aesthetic and someone with a retro aesthetic to come together. The text on this poster encourages the viewer to understand the meaning of this piece.



VINCENT WILKIE
Gender comparison 
The takeover 
Photoshop 
420 x 297 mm 
2022

The 70’s picture, ‘The Takeover’ is a piece that explores how, even though history repeats itself and retro features appear in present life, there is always going to be a majority of present style, aesthetic and personality overtaking the retro themes. The use of the retro colours and the 70’s font gives the piece its' retro vibe - the use of the cover on the background makes you see the people in the image instead of what’s behind them. 

Overall both of these pieces explore the similarities and differences between the present and the past, and that even though time keeps on going forward there will always be the repetition of the past.










DAN MAURICE
5-5-5 series 
Acrylic paint, watercolour, graphite pencil, photoshop on paper
297 x 420 mm
2022

The modern freedom of sexuality and gender is a relatively new concept in the majority of the world. People often dismiss the idea, as it is foreign, and for some even considered immoral. 
Using a variation of art techniques such as the use of different media and a visual manipulation of certain features of the human body the idea of sexual freedom can be grasped. Generally, a hand is a key feature in defining the gender of a person. A general stereotype is men have rougher and fuller hands while feminine hands are more delicate hands. This series suggests that underneath the skin every person internally looks almost identical. Exploring that gender freedom is an acceptable concept as people shouldn't be defined by their external features. Furthermore, the continued reference to the rainbow symbol throughout the series emphasises the push for gender equality and acceptance. 










ANTHONY BAKER
Nature and Innovation - “Earth’s Finest”
Water Colour – Pencil 
854mm x 390mm
2022

Nature and its' animals, ranging from plants to the animal, are perfect organisms. Built for the very moment they live in - achieving the most efficient way of living life. Consider the aerodynamics of high-flying predators such as hawks, the muscular large build of the rhinoceros, to the deep, high pressure capable, majestic whales. The natural design of these animals has allowed them to dominate in their classes allowing for an unbeatable dominance. The very design of these animal's evolution have inspired humanity to create our own innovations to outclass others and excel in capability. 
The simplicity and abstraction of the backgrounds of each triptych piece allows viewers to focus on the main point - the animals and their “human recreations”. 









CHARLIE COFFEY 
Abstracted landscape #1 - Sunset Typa Day
Watercolours – watercolour brushes
15 x 20cm 
2022

Landscapes are surrounding us in our everyday lives - we just never take note of all of them due to there ordinariness.  Abstracted landscapes use formal elements to depict the concept of a landscape. Using the elements colour and space creates a relationship to the landscape. 

This artwork has no conceptual meaning other than appreciating the landscape in a new lense.









ALEX HUI 
Untitled 
Ink on paper
21.0 x 29.7 cm
2022

The inevitable change in our climate is soon to conclude. 
Skies blue eroding the air, distress, and sadness seeping through fake emotions. An artificial life that many of us take on every day, dismissing the bigger picture. My artwork explored the reality that is known now as China. The many symbols found throughout the artwork not only challenges the audience with many thoughts but also give an alibi of a meaning that can be read easily. 
The black square figure represents a factory that disperses toxic fumes into the atmosphere. The lines that go down the paper serves as a symbol that not only do the fumes affect the sky but also the environment below trapping the animal figure behind the lines. The lines that are slanted upwards act as a broken stair base having meaning that all creatures cannot be gifted death naturally anymore without artificiality. 









ZEN PIZZINAT 
Fighting Sky
Colour pencil – Multi-coloured gouache on 300gsm paper
28 x 22 cm
2022

Landscapes surround our lives 24/7 however we tend to not take notice of them. Through the techniques of patterns, textures, colours, shapes/size and scale I wanted to manipulate a landscape and changed the way it is perceived by the naked eye. Sentient rays of sunshine, as the sun sets, create a vortex of different shades and shadows which comes from the presence of the clouds. The water differs from dark to light as the clouds tower above certain areas. The use of white tones on the water hints at movement and flow along with subtle tints of yellow as a reflection of the falling sun. In the centre, the edges of the clouds are shaded lighter to portray the breaching light. These visual traits collectively create a landscape never seen before. 









ANGUS ROBINSON 
Les temps ont changé
Mixed Media on wood
61 x 76 cm
2022

It was the dominant principle of Pop Art culture which aimed to exploit the gender stereotypes of the era -  where woman were subservient to men through their gender roles  which established firmly as women as care givers and tools for procreation. This composition ‘Les temps ont changĂ©’ aims to subvert these gender stereotypes and highlight these outdated notions through a contemporary western cultural lens. The background composed of black and white images from the era act as a metaphor for how the notions of gender roles are outdated and need addressing. The use of 'The Scales of Justice' further pushes this notion, acting as a symbol for the gender and power imbalance. The crying Statue of Liberty, dressed in a pink robe, is a signifier for how far we as a society still have to move to achieve equality and reconciliation for these old-fashioned gender paradigms. 










CONNA WATSON
Untitled
Mixed media on paper
2022

The female body is something that is forever changing and coming with this change is the changing of perspective as to what the perfect female figure should be. By implementing female figures into artworks, another perspective on this topic of gender stereotypes can be created and explored. Further questioning can is done through the abstraction of the artwork such as analyzing text on top of the pieces. What is a stereotype? How is this a stereotype? How does this question stereotype? To further enhance meaning in this artwork colour was added to the piece to further individualize each era and show how the female body is forever changing. 
Women are forever changing. The notion of female ”Perfection” is forever changing.








MASON KING
Changing and cultural signals 1# - The Crucifix 
Photoshop 
16 x 12 cm 
2022

The long history of homophobia within religions has been an ongoing problem within today’s society. It is a problem that is often dismissed and not treated with the importance it is needed. Who is to say that people can not love who they want. Through photoshop I have used a simplistic design to create an artwork that challenges the modern-day outlook on homosexuality and homophobia. From the artwork two flags can be identified, one flag represents LGBTQ community which is mainly consists of acceptance and belonging, whereas the other flag represents the religion of Christianity, who forbid homosexuality. 
People may find this artwork offensive depending on the individual's personal viewpoint, as it consists of two very opposite beliefs. 










PETER BOUSGAS
Distortionized
Copic black pen – lead pencil – cut out distortion patterning on A3 paper - 
297 x 420 mm

A very underrated choice of artwork is the style of distortion where artworks of anything are distorted to give an effect and an illusion that not only visually engages the audience but makes them want to analyse the artwork further. My artwork titled 'Distorinized' is a primary photograph of myself but is distorted on the left side of my face whilst also contrasting a psychedelic and distorted pattern. There is no meaning behind this artwork as my artwork essentially just shows how effective and possibly important distortion can be in artworks.








STEPHEN EARDLEY
Lived space #1 – The coffee shop
Ultra saturate blue – white gouache – colour pencil - gold leaf & pigment on 300gsm paper 
18 x 18cm
2022

Lived spaces are things that are familiar to us. The things we often visually dismiss because of their ordinariness. Through the use of simple techniques such as pattern use, colour selection (reduction to monochromatic) and manipulation of composition, these can become artworks in their own right. They become a study of form and light, scale and proportion and allow a developed aesthetic for the simplicity of the relationship between objects to be observed. To visually engage with the subject it is necessary to include void so in this work there is asymmetrical balance in play with an addition of a touch of light in the form of gold leaf highlight. This is something the viewer expects to see from reflective glass surfaces though possibly not as a precious component of the composition.
There is no conceptual meaning within the artwork other than revisiting and appreciating the familiar in a new way – changing the visual lens.